Show Must Go On: How Can Ballet Help Us Strengthen Ethnographic Practice?
ALMINA KARYA ODABASI Vrije Universiteit Amsterdam This PechaKucha is drawn from research conducted as an organizational ethnography at The Dutch National Ballet (DNB), a renowned professional organization in the culture and arts sector in the Netherlands. However, just like most research trajectories, mine was also full of hurdles that I needed to overcome, the biggest being Coronavirus and the disruptions it created. While constantly adapting myself and my research to the circumstances of the day, I agree with Marcus and Fischer’s description of ethnography being a “messy, qualitative experience” (1986, p.22). I have come to recognize how resilience is very much engraved in the ballet as a profession with opportunities to observe its manifestation even before (or during) adversities; and its learnings can be useful for other (cultural) settings and/or disciplines. In this PechaKucha, by proposing a new perspective to understand ethnographic practice, I suggest that what we learn from ballet can impact the resilience...