ANNEMARIE DORLAND University of Calgary...

ANNEMARIE DORLAND University of Calgary This paper questions the role and form of ethnography in the studio setting through a comparative analysis of interviews with service and brand designers, and the promotional rhetoric of the studio organizations in which they work. It proposes that the way in which designers practice ‘ethnography’ consists of an adapted and hybrid methodological approach based not on theoretically informed data collection, analysis and interpretation, but instead of an assemblage of embodied research approaches. The ways in which designers substitute proxy audience membership, performance and praxiography for traditional ethnographic methods in their creative work and their acts of negotiation between the structural expectations of the studio organization and their own practice of cultural production are considered. Keywords: Design Ethnography, Design Research, Methodology, Practice...

by ANNEMARIE DORLAND, University of Calgary Design ethnography—the term rings with power and potential. Now widely promoted on design studio and agency websites as a core capability, it suggests the melding of design-thinking and interpretive analytical approaches to understanding how people create and make sense of their worlds. But behind the pitch, what are designers doing when they do ethnography? How do they understand the research work they do, their field, their data? When I ask designers about how they conduct ethnography, I hear things like, “It’s just watching them, but it’s billable.” Or, “Oh the Jane Goodall thing! We kind of do that.” And even, “Is that even a thing anymore? Isn’t that from, like, with islanders?” I’ve finally perfected a neutral, non-judgmental facial expression to present to designers who tell me in interviews that they really don’t have a clue what ethnography is—and these are creatives with ‘design ethnographer’ in their bio, designers who are tasked with conducting...