University of Massachusetts Amherst
Participatory visual research methods like Photovoice open up opportunities for collaborative sense-making and advocacy. In these methodologies, data and knowledge are produced not only as an end product, but also in process. As participant-researchers contribute to research design, ethical discussions, data collection, analysis, and presentation of results, they communicate users’ values and concerns that can inform better organizational practices and improve products and services.
In the first part of this workshop, you will learn about participatory visual research methods, from their foundations as methodology developed in the global South to promote the public’s “right to research” (Appadurai) to their application in a variety of organizational settings and design projects. In the second segment, you will take part in a hands-on Photovoice workshop exercise designed to open up questions of visual representation, ethics, and participation. In the final...
Pacific AIDS Network
This paper discusses the benefits and challenges of participatory photography as ethnographic evidence and how as researchers we can “read” the evidence our participants create. Drawing on examples from an ethnographic study examining concepts and constructions of community on Salt Spring Island, British Columbia, I examine how we can interrogate photographs as data rather than factual evidence. Adages such as “the camera doesn’t lie” support the view of photography as a purveyor of truth. Photos accompanying journalistic dispatches from far-flung outposts around the world are seen as authentic evidence of real-world situations. Amateur videos of people’s life experiences are filmed on smart phones and then posted to YouTube to be taken as authentic representations of life events. Early ethnographic uses celebrated photography as the ultimate tool for showing that anthropologists had actually “been there,” displaying the exoticism of other cultures in factual black and white....