speculative design

Situated: Reconsidering Context in the Creation and Interpretation of Design Fictions

MARTA CUCIUREAN-ZAPAN IDEO Design fiction and ethnographic methods strengthen each other by creating a creative but rigorous scaffolding for interrogating expectations and reactions to the future. Design fiction can influence the activities, people, and places in which ethnography is done, and ethnography can create design fictions. Viewers and creators populate design fictions with their own past, present, and hoped for future. The intersection of these methods push ethnography beyond the edges of its thoughtful consideration of the present moment, in order to begin investigating the future....

Tutorial: Speculative Design – Futures Prototyping for Research and Strategy

Tutorial Instructors: J. PAUL NEELEY Neeley Worldwide & Royal College of Art ELLIOT MONTGOMERY Extrapolation Factory & Parsons School of Design Download PDF SUMMARY In our world where emerging technologies are increasingly a source of significant disruption in people’s lives, methods from Speculative & Critical Design (SCD) practice are finding their way into the designer’s and researcher’s toolkit as powerful ways to create new kinds of meaning and perspective that create new organizational value. These practices design future products and services not in a predictive way, but as a way to prototype and understand the social, cultural, and ethical implications of emerging technologies. These practices generally decouple design from short-term company product and market needs and visions, and engage in new conversations about alternative futures as a way to better understand and navigate future complexity. SCD often works to design for the messy and complex people that we are rather than the perfect consumers...

Operationalizing Design Fiction with Anticipatory Ethnography

JOSEPH LINDLEY HighWire Centre for Doctoral Training, Lancaster University DHRUV SHARMA HighWire Centre for Doctoral Training, Lancaster University ROBERT POTTS HighWire Centre for Doctoral Training, Lancaster University Transmuting the entanglement of situations, contexts, artifacts and people, designers mediate the relationship between ‘what could be’ and ‘what is’. All design, then, has an implicit relationship with the future. Latency will always exist as part of this relationship, between the inception of a design concept, development and delivery of that concept, and the manifestation of that concept's potential impact on the world. As we move further into the heart of the Digital Revolution these periods of latency decrease, whilst the breadth and depth of potential impacts increase. Always an arm's length away, but with a velocity and mass greater than at any point in history, the momentum of the future today is greater than ever before. This paper describes the practicalities of operationalizing design fiction, using...