Emotional Landscapes: Observing and Capturing the Emotionality of Experience

BRIDGET MONAHAN Vellichor Design PechaKucha Presentation This Pecha Kucha details how the imperative to employ visual thinking in doing ethnographic research work led to a fascination with capturing, through photography, the unguarded, natural emotions people express in their daily lives. It explores the differences in meaning behind these displays and the forcefulness of expressions captured in everyday lived situations. We, as researchers, pay attention to and interpret the words people say but often leave these emotional traces and visceral reactions undisturbed. An ongoing study of and immersion in these visible emotions formed a body of work around “emotional” landscape photography. Bridget Monahan, is a researcher and photographer. She has worked as a design researcher for a number of product design and innovation agencies, including MAYA Design, Razorfish, and Sapient. In 2017, she started Vellichor Design to concentrate more fully on her art and writing and to work as an independent consultant in the areas...

Instax as Objects of Record

DAVID PETER SIMON Atlasssian PechaKucha Presentation—Instant camera images can act as a physical-digital assistant and craft richer ethnographic records. The author particularly underlines the importance of photography for design field research, drawing upon his fieldwork work in Uganda. Starting by briefly contextualizing the history of photography in research practice he introduces the concept of Spradley's“objects of record” (1979). How can we optimize the use of instant photography with participants, and make operable projects in corporate contexts. David Peter Simon is a senior design researcher at Atlassian, a software company. Before Atlassian, David was a design fellow at Medic Mobile, producer for World IA Day, experience designer with ThoughtWorks, and blogger on Indie Shuffle. David studied digital ethnography and information visualization at the University of Oxford (MSc). 2017 EPIC Proceedings, ISSN 1559-8918,

How New Social Design Captures the Social with Photographs

ILPO KOSKINEN School of Design, The Hong Kong Polytechnic University New social design defines “the social” rather than material things as its main design object, and builds usually on ethnographic research techniques in capturing the social. Designers use camera in their fieldwork but unlike social scientists, they build their camera practices on a variety of sources, often artistic and journalistic rather than analytic. This paper explores how new social design captures the social with photographs. It shows that the main unit of social action in photography is the design act. Place on the other hand remains a non-analytic feature that conveys the sense of having been there, but does not go deeper into the social. The most analytic constructs in photographs are diagrams and other representations. Discussion links these observations into the professionalization of design and its aesthetic rather than analytic base....